The midi programming in particular struck me as daft.
I downloaded it when it came out, wasted a whole lot of time trying to get it to work. I agree, the complaints about Luna are valid. This way I can get the palm mutes to chug at exactly the right frequency without being boomy or competing with the bass. I have the plugin too, and I often use it when profiling a guitar amp with a Kemper. In a mix, VOG allows users to place the bass spectrum instruments so they do not interfere or get in the way of each other." On a kick drum, for example, the overall effect of turning VOGs frequency knob sounds like someone is tightening or loosening the drumhead. This lets users focus on the low end they want, while eliminating low-end mush and unnecessary woofer excursion.Ī subharmonic can be the focus, or the fundamental, or upper harmonics. The VOG lets users sweep a sharp peak resonance from 20 to 300 Hz, while anything below the peak is rolled off at a steep -24dB per octave.
However, when I heard it on kick drum and bass, it became clear this would be the go to device to make these instruments sound huge. The VOG was originally designed to capture the chest resonance of vocalists or voice over artists, enabling them to still have a proximity type effect without having to be so close to the mic, hence the name, VOG, or Voice of God.
"The VOG analog bass resonance tool is the latest creation from Little Labs, and is Little Labs first entry in the popular API 500-Series module format. I think that was the point of the original Voice of God though.
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